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I note that every time I note that young people generally prefer cultural things from their own era, and designed for them, some folks think that means I think they could/will never appreciate something older and/or I think nothing good happened before 15 or 20 years ago. This is, you know, stupid.

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When we were young, my mother, after Sunday dinner, would read from “My Life and Hard Times” (Thurber) or PG Wodehouse’s Mr Mulliner stories and we would howl with laughter. Sent me down many pleasant rabbit holes for similar writing.

I tried to read Lord of the Rings when I was young, completely bounced off it. Read the Hobbit, enjoyed that and went back to LOTR later. Also didn't read Moby Dick until my 40s and absolutely loved it then. I wouldn't have enjoyed it nearly as much in my 20s.

An old movie will reference five sayings, seven people, and ten historical events that aren't in the younger generation's conscience, but it's not like the younger generation is somehow therefore void of their own. Just ask someone from a younger generation to explain a meme about satire in a game.

I found a lot of value of sharing and making available rather than pushing. My kids quite like Monty Python and Hitchhiker's Guide to the Galaxy because I shared the funny bits of it that still seemed timeless and/or silly in an understandable way.

I didn't throw blancmange or Reginald Maudling's naughty bits at them, I shared Spam and the argument sketch and silly walks and confuse-a-cat and they got mad at me for not telling them it was all part of the same shoe and demanded to watch the whole thing 😊

And sometimes they get a special interest in it, sometimes in things I don't have as much interest in myself. Our eldest likes vintage computers and typewriters and Polaroid cameras and tricks older games used on lesser hardware to pull off graphics and he even remembers release dates of things 🤯

Yup. My bookshelves were always open to Athena if she wanted to explore. Also, I took her to the bookstore frequently and let her pick books of her own.

I, born in 1960, and my daughter, born in 1997, have an ongoing cultural exchange. We take turns playing DJ in the car and enjoy movies and TV series from the past 6 decades. But books? She likes sci-fi/fantasy while I'm a nonfiction history junky. All I'll say is she keeps me young.

Speaking as one who as a teen fell in love with the Algonquin Round Table, I'm well aware that different eras will speak to certain young people as much as their own. I also think when it comes to culture, we should make first interactions easy to happen, leading to enjoyment and later exploration.

The sort of person who demands someone new to a field or genre "start with the classics" is often making it more difficult for a novice to engage. Expecting someone to onboard decades of context and cultural difference is a lot to ask at any age. People are usually hoping for fun, not for classwork.

Decades? Try centuries, says the English major whose course work spanned from Beowulf to Faulkner. 🙂 Yes, I know wanting to do that makes me unusual. That's fine. I've been eccentric since forever.

Some people want to cannonball into the deep end of the pool, which is cool. But most folks start in the shallow end, get acclimated and work their way deeper. Insisting they should be shoved into where they can't touch the bottom isn't usually helping. They'll just get out and never get back in.

I found the Algonquin Round Table as a teen by reading (then) current newspaper columnists, which led me to older columnists, including HL Mencken, which lead me to the American Mercury and then to the early New Yorker, which took me to Parker, Thurber, Benchley, et al. A lovely exploration...

Either the “classics” are so good you’d want to read them anyway, in which case making this a purity test is entirely redundant, or else this is just a purity test, in which case you’re dealing with a gatekeeper bro who doesn’t know reading is a thing we do for fun.

Another aspect is how often "the classics" are remembered through a nostalgic haze or totemistically. So many aged poorly, or were imperfect attempts with awkward flaws that are forgotten until you actually go back and look.

Once I read through all the scifi/fantasy space books in my personal library (audio book format) I was having issues with my eyes I was desperate, so I read all the classics and I advise everyone to do that. It was fun to see how the robots were first made. Asimov was specifically delightful.

And on this note, absolutely watch Reacher, soak in it, love it. Just maybe don't rewatch it. A lot of highly improbables or impossibles might jump out at you. (How are 650 surface to air missiles shipped cross-country? In a civilian container trailer with no security escort or seal on the doors!)

I noticed this applies to a lot of the classic literature I actually like. Things I had to read in MS and HS? I wouldn't touch most of those authors with a ten foot pole. Things I decided sounded interesting and picked up for myself? Found some favorites.

Don't underestimate the power of "some of the chapters are told from the perspective of a dead person" on teenage curiosity. I will note I managed to read the wrong book, but still, somehow, ended up liking Faulkner.

As an aside, this is also a terrible approach to classwork. Sure, working through Rudin will get you to solidly know analysis, and there's a reason the book's a classic you'll find on many professor's shelves, (and mine) but you *absolutely* shouldn't make that your first exposure to real analysis.

And some of those classics sit better if the new generation is allowed to experience it without You Will Get This guidance. I loved Lord Of The Flies by myself at 14, hated it at 15 when led/graded by a teacher who was so ready to retire 'swing by if you want to keep your final projects' was a lie.

Right? There’s like 20 songs that came out between 1960 and 2010 that Gen Z all know and think are bangers, because they are and that’s a simple fact. They might be all, “have you heard of this really old band, Nirvana”, so that part’s stressful, but…

When I was a child, I got excited when I learned about the radio shows my mom used to listen to as a little girl in Brooklyn. Like, Captain Midnight and stuff. I thought it was awesome.

I hope it’s clear that my responses did not intend this (not that you’re necessarily addressing me, of course!). I think you’re right that older work is not generally where young readers should start in any genre.

I think all the 80s revival synth bands that are popular right now kind of refutes that. I'm thinking of "Nation of Language" and "Hot Chip". Young people will always find some part of that past, see value in it and revive it. This is as old as, well, old itself.

My mother raised me on the Beach Boys and I Love Lucy reruns. In the 90s. But obviously those things weren’t “it”, I just didn’t care. Our experiences are all subjective. Everyone will love something from the past. There’s lots to love. Which is why old things aren’t “it” anymore!

When I was young, I generally didn’t care for music from my parents’ generation. As an adult, I learned about the MC5, the Velvet Underground, and David Bowie, and I understood that there was plenty of good music, but my parents just weren’t cool.

This is why I like to just put on random music and movies at my house, even if my kiddo complains, or doesn't like it. Because there will be one time where she does connect, and that will lead to more interest. She can always leave the room, and she is always welcome to stay.

When I was young, I loved watching The Monkees. I remember knowing it was from my dad's time and asking him if he liked them too. He told me, no, he liked The Beatles. Years later I mentioned enjoying a Johnny Cash song and he said, "You know Johnny Cash?" He was a big fan.

In my profession, new members are expected to give presentations of their work at conferences. And the overwhelming majority get up in front of a much more experience group, and start with “no one has ever…“  with no historical context, how the hell would they know?

The time will come when octogenarians sit on their porches and complain, "Nobody listens to Rap Fusion these days. Kids don't know what they're missing."