Freelance artist and illustrator
Clients include: Criterion, BFI, STUDIOCANAL, Lionsgate, Arrow, BBC, Penguin Random House
Check out my website for more info: jenniferdionisio.com
Hand drawn, human made
Trying out a new way of sharpening my pencils, excited! Will hopefully help me get some great texture and mid-century style.
If anyone needs pencil sharpener advice let me know, Ive tried so many :)
Satanism in New York, suicidal themes and lesbian subtext put Lewton's bleak classic ahead of it's time. A hauntingly nihilistic dark triumph. 1943.
#horrorcommunity#horrorfamily#film#horrormovie#horrorfilm#horrorfan#classichorror#horroraddict#filmsky#horrorsky#mutantfam#horrorfam
Happy birthday beyond the veil to Bela Lugosi.
This is the linocut portrait I was commissioned to create for the Dracula Returns to Derby project conceived by Derby University.
I’ve finally created a print run. The print is complimented by a watercolour finish. Available in an edition of sixty.
i wish people i know outside of art wouldnt send me ai shit. like i have to accept it and its not done with malice but yeah cool thanks i already agree my existence is pointless
My first carousel post to show off photos of my painting of Samantha Eggar in my fav Cronenberg 'The Brood'. Acrylic on wood panel - it has a shiny varnished surface and painted sides :)
New art ✨ Cover illustration for Gothic Tales by Mary Shelley, released this month!
The cover illustrates the short story 'Transformation', in which the main character makes a Faustian bargain to switch places with a strange misshapen creature.
Thanks to AD Elizabeth Yaffe for the assignment!
Happy birthday, Udo Kier ♥️. One of the highlights of my life: meeting him in 2023 after a sold-out 35mm screening of Paul Morrissey’s BLOOD FOR DRACULA at Anthology Film Archives! He signed the slipcover that I illustrated for the @severinfilms.bsky.social Blu-ray 🩸
#physicalmedia#cultmovies
Hi #PortfolioDay ! I'm Erik, I do B&W (& a bit of color) digital illustration & portraits. Film Noir, retro genre, pulp, midcentury. Interested in bookcovers, movie posters, festival film posters. Work w/ MovieJawn.com &
@noircrazyzine.bsky.socialjauntworks.com
jauntworksstudio@jauntworks.com
Very dystopian that on the article about a A.I. data center poisoning the air, there's a little rainbow A.I. chatbot button just lurking at the edge, waiting to poison the air some more to answer your banal question
My god. A Virginia data center ran backup diesel generators full blast for 24 hours, creating a giant cloud of toxic smoke that choked its human neighbors. The government claimed there was nothing they could do.
“Already the chemicals are thought to contaminate the blood of nearly every living person. Research links them to cancer, liver disease, kidney issues, high cholesterol + birth defects.“
This is bad bad, I can‘t separate this environmental destruction from any asshole who defends and uses ai.
So the bad news about methods of cooling data center that use less water: they rely on forever chemicals.
"In “two-phase immersion cooling” systems, servers are immersed in a pool of Pfas with a low boiling point."
www.theguardian.com/environment/...
So the bad news about methods of cooling data center that use less water: they rely on forever chemicals.
"In “two-phase immersion cooling” systems, servers are immersed in a pool of Pfas with a low boiling point."
www.theguardian.com/environment/...
Just saw this on Facebook.
Someone was able to save over 90 issues from the 1920s magazine Movie Weekly and been scanning in HQ and uploading them to the internet archive. If you love silent films and actors from this period I think you'll have a great time reading these.
Cage is reaching an age (he's 62) where it's very difficult for a movie star to continue having the same kind of star career Cage has enjoyed for 40 years and a huge part of how he's stayed relevant is exactly this "I want to get with someone doing something cool" attitude
"they asked for 3 concepts, I only really like 2 of them but the 3rd one is so obviously bad there's no way they will pick it" <---the first half of a cautionary tale I refuse to learn
I usually design my business cards to be conversation-starters.
But at after too many endless awkward discussions at recent events, I realized I needed a new type of card. The conversation-ender.