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“'You Can See Everything' is a hilarious, thrilling, fascinating, beautiful piece of art. What it certainly is not is a documentary, and it’s dangerous to pretend that it is,” writes Theranos whistleblower Tyler Shultz. https://bit.ly/4Bk2nDJ

statnews.comI was a Theranos whistleblower. In ‘You Can See Everything,’ Elizabeth Holmes is still lyingA more accurate name would be “You Can See Everything That We Chose To Point The Camera At,”Theranos whistleblower Tyler Shultz writes.

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Yeah. People seem under the impression that “documentary” means “journalism” which it emphatically does not. Try telling Werner Herzog he doesn’t meet your editorial standards lol. Or Errol Morris!

The thing to remember is that every Nathan Fielder documentary is really a documentary about documentaries, and whatever happens to be the subject is really just a vehicle toward that end. You Can See Everything is *about* the exact limitations of the form described in this piece, IMO.

Whatever you call the film, the science was never ambiguous. A few drops of finger-prick blood can't reliably run hundreds of tests: tiny volumes, plus tissue fluid diluting the sample. Lab medicine people were sceptical early on. The real story is how long nobody listened.

My wife and I have been chewing on this film since we saw it yesterday, and the thing is, like... we came to the conclusion that she's 100% full of shit. It gives us the opportunity to watch a bullshit artist up close and pick apart their behavior. It's more effective than just exposing the lies.

Holmes got exactly what she wanted. Fielder bought into the con Holmes was selling. She certainly didn't want a journalist to tell the truth about anything. Hire a bullshit artist to tell bullshit.

You Can See Everything That We Chose To Point The Camera At. As opposed to what, Tyler? All those famous documentaries made up of content where the camera wasn't?

Right, and guys, he put it right there in the title: You can *see* the truth(s) just by watching. He shows you all of it, makes her respond to questions with a perseverance no one else has attempted. If you emerge from this movie with more sympathy for her, you get an F in human communication.

He has a limited media education. Just like folks who think college should be vocational, people think documentary is journalism and not a style of filmmaking.

This is 100% wrong. It is a documentary ostensibly about Elizabeth Holmes, but in reality about documentary filmmaking and media consumption as much as it is Holmes.

It's actually fine for the *Theranos whistleblower* to say this and everyone rushing in to prove what a superior art understander they are should be fuckin embarrassed. Lmfao.

I think she is a sociopath who should never get out of jail. Every time I see videos of her speaking, it feels like the start of a horror movie. She always looks excited to tell more lies. I don't think she has ever told the truth about anything in her entire life.

[ pushing my glasses up ] Uh uh uh, technically no documentary CAN BE objective. Besides the simple Heisenberg law of observation, there's editing, limits of presentation time, that people will lie in ways you won't be able to immediately surmise, lack of presentation of context, etc.

Sur but as with any artwork, the choices made are open to criticism. Much of the film relies on attempting to pretend there's ambiguity where there isn't any and deliberately ignoring the actual topics at hand.

As I watched it, I noted just how often Holmes smiled. Anyone who smiles that much can't be trusted. I felt early on Nathan had become infatuated with Holmes and not long after also infatuated with Billy. Amanda Seyfreid had Nathan's number at the end.

Documentaries are those grainy videos shown on public access channels at 4am. The film reels you saw in 3rd grade. Dick Proenneke building a cabin in the Alaskan wilderness for 30 years. Like all the sensational garbage on Netflix about haunted houses this month, this one is docutainment.