Post

I've been a bit apathetic to what I've heard from them and really didn't get the hype. I just figured I'm not their target demographic. It seems that so much of what we call reality may be manufactured. I don't know if that's good, bad or if that's just how it is.

Manufactured reality does not sound like a good thing to me, and how things are does not define how they ought to be. I feel like these industry plant bands are like paintings in Ikea.

what is the target demographic? i'm 24 and also thought they were dogshit but assumed i was 20 years younger than the target demo. i thought it sounded like rock for people in their 40s or older

The big difference IMO is that viral hype about Angine de Poitrine is understandable because they're legimately unique and original (and weird), whereas Geese is tragically generic and when you buy into the hype and give them a listen it's more off-putting than if you just heard them organically.

Sure tons of two pieces dress up in monochrome polka dot costumes and build songs out of microtonal guitar and bass loops, totally common thing you hear and see all the time.

Great job taking the thorny issue of labels using dishonest marketing tactics to raise the profiles of talented musicians and turning it into absurd engagement bait.

Geese suck but I am 53 and if I like them they are in trouble. In the 70s A and R guys used to give DJs hookers and cocaine to play records. Some of your favorites broke this way. So this is how the music industry works.

Fascinating. I have a weird, niche band and we are always trying to figure out how the music industry works. It’s all nepotism and manufactured trends. It’s so bizarre. We just keep releasing music to the dozens of people who enjoy us.

I can see why they'd think Goose is derivative, but honestly a lot of these jam bands I listen to on the sirius jam band channel all have a very similar sound, especially the guitars- I don't know if they all use similar gear and effects or what, I like it all but doubt I could ID isolated players

If anything, 3D Country should have been the album that put them on everyone's radar. Getting Killed wasn't near as good IMO.

Coordinating fake accounts to drum up fake hype/consensus on social media is a crisis-level problem at this point. It's how the loose coalition of Russia and neonazis and the billionaire class created successful far-right parties in the US and EU. Need to force social media companies to address it.

This isn't music promoters coming up with a new way to exploit algorithms for promotion that politicians can latch onto and learn from. This is music promoters learning from political groups who have been doing for years, discovering it can also be used to promote music.

The distinction to me is that the old model involved creating organic hype via advertising/media control rather than faking organic hype. Feels more like lying. There also used to be thousands of independent radio stations to herd, and now many have been consolidated by ClearChannel or Viacom.

I read the article and still don’t understand what the claim is… very vague. The record company did a viral marketing campaign? That’s probably true of most bands that make it on TV and big festivals.

Only the Industry could create a band called Geese, that sounds like actual geese attempting to play instruments, and bootstrap them into ubiquity.

I guess I don't understand. Can you be a mass market industry plant with too much hype if the general public has never heard of you? I liked the album fine, beyond that I don't really care how it got to me.

I think you can find lots to dislike about this band without taking a marketing agency’s pitch deck as the gospel truth about PR effectiveness

One thing you can’t label an industry plant? The tactics to sell MALINKO, a thriller about a newlywed couple a Route 66 honeymoon who stumble onto a mysterious radio show. $25. Venmo: Rick-Paulas, include address

Aren't all popular bands industry plants? Like that's the entire point of the industry: to prop up certain artists they choose

Right, isn’t that what all of these TV singing contests are all about? American Idol, The Voice? They’re all about finding shake and bake “talent” that they can turn into instant, short-term stars to monetize and then discard when the next one comes along.