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people keep making movies where the premise is "it's kind of like a man but it looks like a monstrous freak but it's nice and sexy and doesn't abuse the woman so it's basically the most romantic thing ever" and men keep not getting it.

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Doesn’t the conflict usually end up being the same? Ie, jealous louts trounce in and RUIN the relationship (much less the lover’s ability to… live) through some violent and/or selfish reason or another? And those aforementioned louts were setup as the “normal/ideal” people? Aka Gaston?

Okay, I read the review so no one else has to and the title is just click bait: the issue with the movie - per the critic - isn't monster-fucking butthat it doesn't really have any emotional weight to it and the dialogue is awful, plus some really ham-handed social commentary.

Yeah, the review sounds to me like he went in willing to like it. Now, whether it's *bad* or just not for him is different, but I'm not getting any of this "OMG fear of female sexuality!!!!", it sounds more like it's Carry On style oo-er-missus and that's not working for him.

All of these ~monstrous~ love interests are tall and in good shape. Would they make one of these about a fat manlet? I guess that would just read as wish fulfillment for men. Idk it's just weird to see which parameters won't budge

That is male wish fulfillment, in the 80's "you" were supposedly a male player who wanted to beat the game to get Peach's affection. I'm saying there is a woman focused romance genre of misunderstood "ugly freaks" who aren't that ugly and never short

I’ve been in the Star Wars fandom long enough to know a lot of women would fuck Jabba the Hutt, and he’s not even a good guy

There's something so puerile and awkward about "re-enacts the Kama Sutra with" as a substitute for "has sex with." Like something a puritanical teenager would say and think they were being clever. No one who actually knew what the Kama Sutra was would even say that, anyway

You can tell Robbie Collin is a bad film reviewer just by the way the pull quote targets the premise rather than the execution Very few premises are actually unworkable, and you gotta meet a film where it's at when you're reviewing it

My favorite example for this kind of thing is the anime Assassination Classroom. It's premise is batshit insane. It's execution is perfect. It makes anime madness into a deeply emotional story about an octopoid monster assassin teacher and his class of misfits who have to kill him to save the world.

"Well actually..." Collin probably has nothing to do with that part of the article, that's the job of the editorial department (usually a sub). But if it is a quote from the article he absolutely could have not written it in the first place.

It's more that this kind of pull quote is supposed to be the most important/intriguing part of the review So either we've got a bad reviewer and/or a bad editor

Oh sure, it's just that I find this sort of editorial pattern fascinating/horrifying. It's not to lead you into reading, it's to reduce the article to an image for people to dunk with (about the journalist or cast/film depending on viewpoint and bias, which the Telegraph definitely has).

Meanwhile entitled dipshits are smashing their faces with hammers & then whining that it doesn’t make hot women swoon over them. Just … be a decent person, guys. There’s no cheat code. Think of women as being people, be interested in them AS PEOPLE. Maybe have a life outside of complaining online.

"Creature that you expect to be scary and dangerous is actually loving and not a complete asshole" is a big fantasy for us. Scary and dangerous is statistically that we're in for.

It's interesting to think about this genre in a reclamatory sense. Historically these western fairytales of a monstrous spouse were about the virtues of fidelity. I wonder if today's versions manufacturing approval or subversive to the original fidelity fables by making the monsters "nice & sexy"?

Ce regard bleu derrière la "bête", c’est la preuve qu’on peut être indompté sans jamais perdre sa noblesse. J’ai toujours cru que le vrai refuge d’une femme, c’est ce genre de force tranquille, même sous un masque.