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I've mentioned before I've updated my contracts to make sure everything in the production of my books is done by humans and not "AI"; if you're wondering what such a thing looks like, here's a clause covering that from a recent contract.

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This is magnificent!! I withdrew from contractual negotiations with a major academic publisher earlier in the year because they wouldn‘t revise the offered contract to prohibit AI use of my work. It’s extremely heartening to hear of others having success with these kind of clauses, bravo!!

Not for GenAI, nope. For AI derived tools that make the creative process easier, sure. As long as the tool is not the result of a LLM full of other people’s work.

Btw, great books. Some fun, some important, and weirdly, never see which coming while I’m reading them. I thought MOON was just a funny bit of fluff, yet the end had me tearing up and full-hearted. Btw, Cincy&Toledo guy here.

The irony is that we’re now spending more human energy legally defining "human" than we ever did actually being human. We've reached the "Proof of Personhood" era of literature.

I’d prefer if it had a mention of obliteration via space laser if they so much as consider it, but other than that it’s pretty solid 😌

Hey - I'm putting together a website for advice on these kinds of clauses, would you mind me using yours as an example on it?

Thank you for sharing. Also, thank you for standing firm. Also, thank you for writing such delightful stories. I read Old Man's War ten years ago and recommended it to my spouse. I think it helped our marraige 🤣 he pays a little more attention to my recs now... except when it comes to burritos.

I noticed that the first clause does not mention use of AI for promotion of the work, which I would include in that list. THIS IS NOT LEGAL ADVICE. IT IS A STATEMENT FOR EDUCATIONAL PURPOSES. I AM NOT ADVISING ANY INDIVIDUAL, GROUP, OR ENTITY ON ANY MATTER RELATED TO THIS POST. FUCK AI.

Ditto, except that for me: THIS IS LEGAL ADVICE. IT IS A RECOMMENDATION FOR LEGAL PURPOSES. I AM ADVISING ANY INDIVIDUAL, GROUP, OR ENTITY ON ANY AND ALL MATTERS RELATED TO THIS POST. FUCK AI.

That is a fantastic way to get sued for malpractice if you're a lawyer, and to get prosecuted for unauthorized practice of law if you're not. But hey, you do you. This isn't legal advice, either. It is a public statement made purely for educational purposes. FUCK AI.

I'm also curious how this interacts with promotion and pricing; specifically the possible use of machine learning models (including non-generative AI) that may go into such business practices in less direct ways.

In support of this, however, as a designer, I am wondering how this wording plays out in terms of the creating art part, as industry standard Adobe is riddled with AI powered/involved features of various scope. Does this mean something like Adobe can't be used to create art for you at all?

fun (by which I mean not fun at all) to see people in these replies giving corrections and suggestions, as if Scalzi's contracts aren't already both lawyer and Krissy approved.

Body of work aside, I bet if you come at everyone else in life with this tone and five question marks per sentence you have a harder time negotiating contracts than John does.

It comes down to a business decision. If they accept the terms, the publisher makes a bit less money. If they reject the terms and the author takes the book to another publisher, they get nothing. The publisher needs to decide if they want to go for a sure thing, or take a risk.

When people ask me to do a talk for them, I say that I won't speak before 11 am b/c I am a night owl and I can't be my best. 99% of the people say "No problem!" I gave an opening keynote two weeks ago and they just... started the conference later (nice of them). It's just a balance of power thing.

They can’t make money on AI books. They can make a lot of money on Scalzi books. That clause is in all my new contracts too, and while they don’t make as much on me, it’s still way more than the zero they currently make on AI books.

The difficulty of cracking into publishing obscures for some people the obvious truth that publishers need all their human writers badly. They do not and never have controlled supply. Neither has AI.

I think his doubt is because while publishers won't make any [noticeable] money on AI books, they *could* make money on licensing books for training, and they *could possibly* save money by having LLMs do some aspects of the publishing process instead of humans.

Why wouldn't they? They want to publish the book, don't they? As a writer, your maximum leverage is at the moment when the publisher has decided they want your work, but you haven't yet signed the contract. They've said "yes," but you can still say "no."

The power in any negotiation goes to the person most willing to walk away. If you have alternatives, you have power.

This 100%. If you know your worth and the other party needs or wants what you have to offer, that gives you tons of leverage.

It’s hard for little people like you and I to understand, but people like Scalzi aren’t always faced with ‘do it the way we want or gtfo of my office’ choices in business. 🤷‍♂️

Yes and also I have always been this way, even when I wasn't *John Scalzi* but just some newer author. I've never taken a deal that I thought disadvantaged me. When people attempted to give be shitty deals early on, I walked.

I have added similar clauses to my contracts. You should always negotiate your contracts, politely but firmly. And you'd be surprised how often boilerplate is changed. It's also my personal experience that the people I have dealt with have been eager to add clauses roughly to this effect.

Similar clauses are in contracts everywhere, including the standard Authors Guild contract and my small-press publisher. Why do they agree? Because it’s good business. Also it’s right, but they probably care less about that.

Yeah, but at the end of the day pubs are just distributors. Distributors ALWAYS control the contract. They dictate terms (unless you're Stephen King or something)... A midlist author just doesn't have the power to dictate

No, this is wrong. I both demanded and got changes to contracts even as a beginning novelist. The publisher has a standard contract, yes. It's the basis of negotiation. But any writer can ask for changes, and any writer can demand things not in the contract. And should, if they're important.

ANY terms in a distribution agreement. That's all a book deal is... a distribution agreement. Yeah yeah yeah... without writers pubs can't exist, but ... welcome to capitalism.

Slightly surprised the publishers don't put in something like that by themselves. They don't want to see publishing drown under a load of slop either.

Your clause likely fails on verification: "human-made" is unprovable at scale. How do you audit against covert LLM use in editing or cover design?

The problem is while AI isn't - 'language model' doesn't apply to art, voice, or other applications. This at least gets the point across, it would be very difficult to argue someone didn't know it wasn't AI in an environment where it's applied even to things it's not in advertising tools.

love the language, but its that last line where you might run into danger - 'best efforts' to include a limitation in any sublicense = a way for publisher to potentially agree to such a sublicense ("we used our best efforts! didn't work, so sorry!") good faith is required but... its a gap.

I believe this needs to be amended because the orange idiot says it's now 'Super Intelligence.' I imagine this was proposed to offer a loophole guy contract language saying 'Artificial' and since it is in an executive order it's not exactly law, but could still offer a publisher an out in court

I have a forager friend who's working on a book, and his revised manuscript was so hashed over by the publisher that he suspected AI editing. His corrections had been removed, new errors introduced, photos and captions jumbled. And he knows AI fakes will hit Amazon as soon as it's published.

IANAL but your exclusion clause seems limited. You don't, e.g., prohibit the use of your work as training data for AI that generates images or videos. You have a general clause on licensing for AI, which is good, but I dont think the law is settled yet as to whether a licence is actually required.

Contra proferentem will apply if the contract is contested so the text limitation is interesting, but could be some artefact of US law that I'm not familiar with.

In reality, there's probably not much your publisher can do to stop your books from being scraped, but at least it means they aren't allowed to do it themselves or to profit from it.

The audiobooks used to say "All rights reserved" or something now they are like "This work shall not be used in any artificial intelligence" its a weird marker of modern productions.

Neal Asher, who writes hard SF that features a future where AIs rule humanity and those who oppose their AI overlords are presented as clownish approximations to Bond villains, is languishing on this platform with less than 1000 followers. Not in tune with the zeitgeist?

Thank you! We’re fighting for all of our clients to get anti-AI clauses in their contracts and it’s so great to know that some heavy-hitters are pushing it.

This should be a standard. I'd also love to see a certificate service that ensures that a creative work (book, movie, videogame, whatever) is 100% human. (I've come by some fake or real ones, and their website was vibe-coded(!) — very bad intro, I must say.)

Many thanks for sharing this. I wanted this kind of language in a recent book contract. My publisher was onboard, but we were unsure about the best language to use. Having this as an example going forward is super helpful.