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Mel Blanc screams are like Greek fire, we lost the technology to make sounds like this

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iirc some of the character of these screams are from them going out to an unused sound stage so they could put the mic far enough away that he wouldn't completely redline the recording.

I know this is a joke, but there literally is a technological component here. This sort of recording was made possible by analog tape compression. It would be VERY difficult to record this digitally and not have it clip. You’d have to dial the gain way down, which would sound different.

Some years ago somebody, Shure I think, had a whitepaper out about locating multiple mics in high dynamic range environments with a calculation to run given the anticipated frequency ranges, to use harmonics and cancellation to get good results without having to adjust attenuation.

Great... now all ya need is Mel Blancs iron vocal chords and lung capacity and your all set. Even Eric Bauza, his current voice over equivelant... can do the voices of Bugs, Porky, Daffy, etc... but even he cant go full on FERAL SCREAM like Mel.

Mel Blanc came to Whittier College to talk about doing voices and effects when i was a little kid. I spent that evening rapt, watching Bugs Bunny talk/yell/scream out of an old man's mouth. My mom gained some respect for cartoons, too, and relaxed a little about my TV time.

Blanc rarely played Elmer. He was usually voiced by Arthur Q. Bryan, known for playing Doc Gamble on FIBBER MCGEE & MOLLY. Blanc's contract prohibited other people from being credited. They actually changed Elmer's model for a couple of cartoons to a caricature of Bryan, but people didn't like it.

Considering one of the first gigs i remember him for is buster bunny from tiny toons, it makes sense he channeled a portion of mel’s energy (though babs was the more early chaotic energy of the two bunnies)

Iirc a lot of these were basically recorded in this huge, empty-ass warehouse for *maximum* reverb 'cause otherwise people were too annoyed by how loud he could get. We just don't make warehouses empty enough these days, smh.

I think it is commitment from the VAs Blanc was a literal audionaut exploring the depths of what his voice was capable of without a map, people don’t have the same insane heedless abandon he did Maybe that’s a good thing, I am unsure

That fact carries on. In “Moana”, when Hei-Hei the chicken realizes he’s in the middle of the ocean with no land in sight, his scream is actually archival audio of Mel Blanc.

- “Well, I can speak LOOUUD!! And I carry a BIIIGGER stick!…And I use it, too! (wham!)” - And my favorite, from “Gopher Broke”, where the two Gophers float the sleeping Hound Dog out onto a lake, which he doesn’t realize until a duck swims up and goes “…QUACK!! 🦆”

We didn’t lose the technology, we have advanced. These audios weren’t recorded in an audio treated room like what we see today, you can hear the echos which in itself is charming in its own way.

In my head I picture them recording in a sound booth and he gets to the yelling part. Afterwards it’s quiet for a few minutes, then the engineer says, “We need him to stand back from the mike a bit.” “How far?” “About 20 yards. Maybe more.” 🤣

I still wanna know how many times Cena had to reshoot that “I don’t pay you to tink you taw” interrogation of Tweety in the desert because it’s probably pretty much impossible to not bust out laughing shooting that kind of dialogue.

It's the name for a substance that historical sources mention being used as an incendiary weapon in naval warfare by the Byzantine Empire; it's thought to be basically an early form of napalm, but its exact composition is unknown (in the sense of "it could be several things, we're not sure which")

I’ve always had a ‘Mt Rushmore of Roar” which is made of legendary actors who can bellow in a way no one knows how to do anymore. George C Scott, Lee Cobb, Gene Hackman, Brian Cox Mel Blanc goes in the special animated wing.

They had been working for a while to try to get any signs of life out of Mel after a really nasty car accident but it appeared as if he was gonna be in a vegetative state They tried talking directly to Bugs Bunny and Mel responded They successfully brought him back through Bugs and Daffy, iirc

I remember hearing Saul Williams say in an interview that music and sound are influenced by the constraints of the technology that it was recorded on. Blanc was very experienced with how microphones, recorders, and broadcast equipment affected his voice and he made magic within those constraints.

Anyone remember the title of that bugs bunny cartoon where the last forty (40!) seconds are bugs and some dog falling down a cliff, both screaming like maniacs, and legend is director Tex Avery quit right after cause that scene was suppossd to be even longer but Schlesinger had him cut it? :D

theres this BTS/interview video ive seen of him where to demonstrate how he does those bits he belts out a screamed line in a room definitely not traditionally sound proofed for VA and it might be the most anyone has sounded like Mel Blanc in 30 years

Mel was a regular client at a relative's physical therapy practice. She knew him well. She said he'd come into the office and have everyone in hysterics as he'd do all the voices. Foghorn Leghorn on arrival. Porkey Pig leaving. She most loved his Yosemite Sam bitching about payment at check-out.

Physical therapy can be rough, and sometimes he'd be struggling on a traction table or something, and break in with Daffy or Bugs saying: "Of course you know, this means war!"

The Termite Terrace. They gave them the worst accommodations because they didn't think the cartoons mattered and left them alone, and they created Oscar and Emmy award winning shorts that continue to be cultural touchstones and define American culture. It's what happens when you let artists be.

It's a type of screaming you mainly hear in stage actors and particularly outré musicians (cf. This Heat, "Makeshift Swahili"). I think part of it is about projecting even in the absence of a microphone and a certain willingness to let the voice distort in potentially "embarrassing" ways.